Description
On his 2019 debut solo album Ends, Giancarlo Erra ably demonstrates a masterful gift for producing timelessly intimate and profoundly affecting music. Comprising a suite of eight thematically linked instrumentals, Ends deploys sparse piano patterns, synth textures, eerily beautiful string quartet performances, and subtle electronic pulses to create a compelling whole that establishes Erra as a composer of rare sensitivity and singular purpose. Recalling the tonal contemporary classical miniatures of Arvo P?rt and Max Richter, the soundtracks of Nils Frahm and Clint Mansell, and the early electronica of the likes of Roedelius and Schulze, Ends presents a connected series of suspended sonic reveries that shift and build in unexpected and frequently heartbreaking ways. Produced and performed by Erra - along with a Danish / Icelandic quartet comprising Elis Marteinsson (violin), Krista Sverrisd?ttir (violin), Nicolaj Nielsen (viola) and Quynh Lephan (cello). Freed from the constraints of writing songs and creating frameworks for his long-running post-rock collective Nosound, with Ends, Erra has delivered the purest distillation of his musical vision. In abandoning his voice, Giancarlo Erra has discovered a new one.
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1. End III [04:05] 2. End II [04:03] 3. End I [05:25] 4. End VII [06:44] 5. End V [04:24] 6. End IV [05:06] 7. End VI [04:42] 8. Ends Coda [04:02]