ANTI

Digitally remastered edition. Blue Valentine is a big departure from earlier Waits albums. Trading the piano for the guitar, Waits is getting rawer and bluesier and title track is a great example of...

Digitally remastered edition. Closing Time is the debut record by Tom Waits and it foreshadows the distinctly lyrical storytelling and original blending of jazz, blues and folk styles that would come...

Digitally remastered edition. 1977's Foreign Affairs takes the jazz and poetry that Tom Waits explored on his earlier albums in a more cinematic direction, foreshadowing his own breakthrough work in...

2009 two CD live release housed in a six panel digipak. Glitter and Doom is a collection of the best of the best tracks from Tom Waits' highly acclaimed Glitter and Doom tour of the U.S. and Europe...

Digitally remastered edition. The Heart of Saturday Night is the second studio album by singer and songwriter Tom Waits, originally released in 1974 on Asylum Records. The title song was written as a...

Digitally remastered edition. Released in 1980, Heartattack and Vine was Waits' final album on Elektra Asylum and it built on the raw blues approach of Blue Valentine with the incendiary title track,...

Digitally remastered edition. Recorded in front of a live audience at the Record Plant recording studio in Los Angeles in 1975, Nighthawks at the Diner debuts some of Waits' greatest classics like...

Tom Waits is one of the most influential musicians in the world today. He continues to re-invent music, push boundaries and create new sounds. On REAL GONE, the up-tempo tracks are some of his rawest...

Digitally remastered edition. Small Change is a masterpiece that contains some of Waits' best early work. Classic jazz, Tin Pan Alley, and Stephen Foster filtered through Tom's unique worldview and...

Colored vinyl - OPAQUE WHITE. "It was in winter 18/19 - I flew to Montreal to meet with Tim Kingsbury, Richard Reed Parry, Craig Silvey and Teddy Impakt at Le Studio Du Arcade Fire. It was a fine...

It was in winter 18/19 - I flew to Montreal to meet with Tim Kingsbury, Richard Reed Parry, Craig Silvey and Teddy Impakt at Le Studio Du Arcade Fire. It was a fine time with a dream team in a city I...

Several times, as I listened to M. Ward's Supernatural Thing, I asked myself what year it was. Was it 1952, and was I listening to a track from the Harry Smith Anthology? Was it 1972, and was I...