Rock

Them Are Us Too was formed in the Bay Area by friends Kennedy Ashlyn and Cash Askew in 2012 after meeting at school. They quickly gained a cult following as word spread about their youthful, innocent and fresh take on the revered 80s dream pop and...

Theirs is the sound of driving at night across the West. Like the wide-open landscape, this is music that knows how to be both desolate and lush. And it knows that while sadness pulls you down, discontent pushes you forward. So the Procession never stops...

Their way through their second album's identity crisis, they arrive, finally, at a place of hard-won maturity. Enter: Food for Worms, which Steen declares to be "the Lamborghini of shame records." It marks a sonic departure from anything they've done...

Their third release represents another stride onward from previous works, where the girls continue to experiment with their disparate voices and clashing personalities, juxtaposing devastating ballads like "Werewolf" with exhilarating tracks like "Japan"...

Their third release finds the band perfectly poised between the raw punk energy of their 2004 debut, HELL YEAH and the brash, singalong pop of 2006's BRING IT ON. While never dropping their trademark sexy, horror flick flair, KISS KISS KILL KILL brings...

Their third full-length release and follow-up to 2008's critically acclaimed Honeysuckle Weeks. Self-produced with mixing from John O'Mahony (Metric, Coldplay). Includes digital download card and liner notes/poster.1. Shoelaces 2. Fire 3. Ivaloo 4. The...

Their third album is the sound of a band growing up and out. James Mercer's infectious, indelible melodic style is still at the core, but on various songs he also channels a Morrissey vibe, pairs a hip-hop beat with lush melodic lines and searing...

Their sophomore effort demonstrates just how far this band has come since the release of their debut. It's a record that will stand the test of time and critics alike.1. Some Loud Thunder 2. Emily Jean Stock 3. Mama

Their songs recall the 80s guitar army of Sonic Youth with the captivating lyrics and vocal stylingÆs of Tom Petty or Bruce Springsteen. Walls of guitar - acoustic, electric, twelve string - douse each track of this debut, threatening to cast the band...

Their seventh album resonates in a personal way with the band. These songs are reflections on the records that WFTD consistently re-visit: Swell Maps, Section 25, Psychic TV, and much of the Factory Records catalog. It's about the band and how they've...

Their self-titled sophomore LP has more in common with '90s slowcore bands like Red House Painters or Low than it does with most of their label mates. They can still get intense, but in a different way. Clean guitars and dreamy vocals make up most of the...

Their self-titled debut album sounds less like a casual experiment than a band that has been playing together for years. With The Blips sharing lead vocals, guitar, and bass duties, this surprisingly cohesive and high energy album ranges from...